Legendary German film maker Werner Herzog wrote and directed this brilliant, stylish homage to the 1922 Dracula adaptation, ‘Nosferatu, eine Symphonie des Grauens’. F. W. Murnau‘s seminal silent classic was actually filmed without permission from Bram Stoker‘s estate and had a number of minor details changed in attempt to avoid infringing copyright. Their attempts were unsuccessful and Stoker’s widow filed a lawsuit that resulted in the film being withdrawn and most of the prints being destroyed. Luckily, a handful survived and the film was able to be properly restored and saved from total loss.
Frequent Herzog collaborator (and occasional adversary) Klaus Kinski stars as Count Dracula (changed from the Count Orlok of Murnau’s verison), the undead vampire who travels to Germany from Transylvania. He intends to prey upon Lucy (Isabelle Adjani), the wife of Jonathan Harker (Bruno Ganz) from whom the Count purchased real-estate deeds before locking him in his castle. Jonathan manages to escape and heads home in hot pursuit of the evil vampire to save Lucy from an undead fate. Herzog’s version is particularly notable for the way it portrays the classic Count as a weary, unloved character who is struggling with the idea of immortality and is disgusted with the predatory side of himself. This was in stark contrast to many of the Dracula adaptations that had been made since Murnau’s original.
Unusually, the studio (20th Century Fox) requested that Herzog film each scene with dialogue twice (in German and English, spoken by the same actors) so that two versions of the film could be constructed with the idea that the English one would appeal more to Western audiences. Today most fans prefer the German version as the actors are clearly more comfortable speaking in their native language and the acting is thus more natural.
This Japanese poster features elements of the fantastic American one sheet, which was painted by David Palladini, and is one of the best posters of the 1970s, in my opinion. In the place of the illustration of Count Dracula is a striking image of the gorgeous Adjani and two smaller photos featuring the Harkers and Dracula.
The original trailer is on YouTube.
This is the Japanese B2 poster for the release of the little-seen 1969 biker film ‘Run, Angel, Run!‘ It’s one of a slew of films based around the same theme that involved the actor and director Jack Starrett, who is best known for playing the antagonistic deputy in First Blood, and as the director of Cleopatra Jones and Race With the Devil. Starrett starred in films like Hells Angels on Wheels and Angels from Hell before being offered the chance to helm this as his directorial debut.
The film stars the prolific American actor William Smith as Angel, the leader of a biker gang. The plot is described thusly on IMDb:
Angel, a member of a tough motorcycle gang roaming the Southwest, gets on offer from a major news magazine. In exchange for giving the magazine a big scoop by exposing the inner workings of his gang, the magazine will pay him $10,000. Angel takes the offer, although it means he and his girlfriend must now go on the run from cyclists looking for revenge. Along the way, they hide out with a sheep farmer, earning their keep by taking care of the farm and building a new life together.
The film appears to be fairly scarce going by the lack of reviews online and the fact that the DVD is almost $40 on Amazon.com at the time of writing.
The trailer is available to view on YouTube.
The Outlaw Josey Wales is widely considered to be one of the best Westerns of all time, and certainly one of Clint Eastwood‘s finest efforts. Inspired by the 1972 novel The Rebel Outlaw: Josey Wales by Forrest Carter, the film was originally to be helmed by Philip Kaufman who had written the script and been through pre-production before being fired from the set a few days into filming, with Eastwood himself taking the director’s chair for the remainder of the production. Set towards the end of the American Civil War, Josey Wales (Eastwood) is a peaceful Missouri farmer who is driven to revenge after his family is brutally murdered by a sadistic Union officer and his farm razed to the ground.
Wales joins a group of pro-Confederate rebels to fight and when the war ends his group is ordered to surrender peacefully, which Wales refuses to be part of. Following the massacre of most of his group, Wales attacks and kills several men and the Union captain places a bounty on his head as he flees. On his journey, Wales reluctantly picks up a diverse bunch of companions, including two Native American Indians, and he tries his best to evade the union troops and bounty hunters on their trail and start a new life for himself. This was the first film that paired Sondra Locke with Eastwood and was the beginning of their romance that lasted for fourteen years.
This Japanese B2 is the ‘style A’ poster for the film’s release there and there are three B2s in total, including the style C, which uses the same artwork as the US one sheet. This artwork is an adapted version of the alternative artwork as seen on the US 40×60 and half-sheet posters. All original American posters were designed by Eastwood’s long-time film marketing collaborator, the great Bill Gold, and this painting was by an American artist call Roy Andersen. According to this biography Andersen passed away last year but throughout his career he was known for his work depicting Native Americans and Old West images, including cowboys and related scenes. Artnet has an extensive gallery of his works here.