Charles Bronson stars as Vince Majestyk in this story of a Vietnam veteran turned melon farmer in a remote Colorado farm, who winds up having to deal with the wrath of a mobster after refusing to get involved in a labour racket. Al Lettieri stars as Frank Renda, a notorious hit man who Majestyk meets whilst spending a short time in prison for assault. During a prison bus breakout instigated by Renda’s accomplices Majestyk takes control of the bus and plans to hand the mobster into the police in exchange for a reward. Before this can happen Renda’s girlfriend Wiley (Lee Purcell) rescues him and escapes the clutches of the law. A revenge plan is set in motion but the mobster soon comes to realise he underestimated the skills of the melon farmer.

The term ‘melon farmer’ was infamously appropriated by editors who were tasked with removing the word ‘mother fucker’ from films to be shown on TV. Director Alex Cox actually supervised the TV recut of his 1984 film Repo Man and this is where the phrase was first used (he actually mentions it during this interview). It has its own entry on the Urban Dictionary website too.

I’m unsure who is responsible for the artwork on this US 30×40 so please get in touch if you have an idea.

The original trailer is on YouTube.

Charles Bronson stars as Vince Majestyk in this story of a Vietnam veteran turned melon farmer in a remote Colorado farm, who winds up having to deal with the wrath of a mobster after refusing to get involved in a labour racket. Al Lettieri stars as Frank Renda, a notorious hit man who Majestyk meets whilst spending a short time in prison for assault. During a prison bus breakout instigated by Renda’s accomplices Majestyk takes control of the bus and plans to hand the mobster into the police in exchange for a reward. Before this can happen Renda’s girlfriend Wiley (Lee Purcell) rescues him and escapes the clutches of the law. A revenge plan is set in motion but the mobster soon comes to realise he underestimated the skills of the melon farmer.

The term ‘melon farmer’ was infamously appropriated by editors who were tasked with removing the word ‘mother fucker’ from films to be shown on TV. Director Alex Cox actually supervised the TV recut of his 1984 film Repo Man and this is where the phrase was first used (he actually mentions it during this interview). It has its own entry on the Urban Dictionary website too.

An minor bit of trivia is that this poster is actually hanging inside the trailer owned by Budd (Michael Madsen), a character in Quentin Tarantino’s Kill Bill, and is clearly visible during the scene where The Bride (Uma Thurman) attacks Elle Driver (Daryl Hannah) – click here to see a clip (spoilers abound).

The original trailer is on YouTube.

The car’s the star on this Japanese poster for the classic 1971 road movie, Vanishing Point, starring the then unknown actor Barry Newman as the legendary delivery driver Kowalski. Tasked with driving a 1970 Dodge Challenger (R/T 440 Magnum) from Colorado to San Francisco, Kowalski accepts a bet that he can’t get the car to its destination in less than 15 hours.

After a run in with two motorcycle cops a pursuit commences and the driver does his best to stay on target and evade arrest, helped along the way by an enigmatic DJ named Super Soul (Cleavon Little). During the pursuit Kowalski meets an array of characters, including a snake-catching prospector (Dean Jagger), gun-toting gay hitchhikers and a hippie biker with a girlfriend who rides stark-naked (as featured on this poster).

There are actually two versions of the film and the one that was shown in the cinema in the UK is actually longer than the US cut, featuring an extra scene of a drug-taking hitchhiker played by British actor Charlotte Rampling. Both versions are available on the recently released blu-ray.

The film has had an undeniable cultural impact, influencing multiple other films and even musicians, with Brit group Primal Scream naming their 1997 album after the film and lead singer  Bobby Gillespie saying that, “The music in the film is hippy music, so we thought, ‘Why not record some music that really reflects the mood of the film?’ It’s always been a favourite of the band, we love the air of paranoia and speed-freak righteousness … It’s a pure underground film, rammed with claustrophobia”

Quentin Tarantino‘s half of Grindhouse, Death Proof, continually references the film and features an almost identical Dodge Charger in one of its key car chases. I hadn’t realised but there was actually a TV remake of the film made in 1997 and starring Viggo Mortensen as Kowalski.

The original trailer is on YouTube.

American author Richard Matheson‘s 1954 post-apocalyptic tale I Am Legend has been adapted for the screen three times, first in 1964 as the Vincent Price-starring The Last Man on Earth that was shot in Rome and co-directed by Italian Ubaldo Ragona and American Sidney Salkow. The rights to the story had originally been bought by Tony Hinds of the British Hammer Studios and Matheson was asked to write the screenplay, but worries about the gruesome content being too much for British censors saw the script being sold to the American producer Robert Lippert. Matheson was apparently so disappointed with his own screenplay and resultant film that he asked to be credited with the pseudonym Logan Swanson. The Last Man on Earth’s limited success at the box-office might explain why The Omega Man was put into production only seven years later.

Charlton Heston stars as Robert Neville, the Army scientist who manages to inject himself with an experimental vaccine just as the world’s population is obliterated by biological warfare between the Chinese and Russians. Two years later Neville believes himself to be the only surviving human and spends his days exploring a deserted Los Angeles and hunting down a group of infected mutants known as The Family. One day whilst exploring a shopping centre Neville has an encounter with another human survivor but quickly dismisses it as a hallucination, having been alone for so long. When he is captured by The Family and almost burned at the stake his rescue comes from a ragtag bunch of human survivors who ask for his help in saving a group of children that are infected and slowly succumbing to the disease. Neville decides to see if his blood can be used to create a serum to save them, but The Family are not done with him yet…

The Omega Man has several memorable scenes, particularly during the first half of the film as Neville explores a convincingly deserted Los Angeles, which was achieved with out any visual effects by shooting in the city’s business district early on Sunday mornings. The soundtrack is also excellent and Heston does a solid job in the lead role, supported by Rosalind Cash who’s memorable as one of the other survivors with whom Heston shares a controversial (for the time) interracial kiss. The make-up for the mutants has dated rather badly but it’s nowhere near as poor as the terrible CGI abominations that all but sank 2007’s I Am Legend, starring Will Smith in the lead role.

I’m unsure who is responsible for the design of this poster but the pencil drawing is similar to the one seen on the Dirty Harry one sheet that was designed by Bill Gold, so I suspect the same artist may be credited and that Gold was also behind the design. If anyone knows for sure please get in touch.

This is the British quad poster for the release of the 1973 crime drama The Stone Killer. The film was one of a number that starred action legend Charles Bronson and was directed by Michael Winner. Their most successful collaboration (in box-office terms), Death Wish, was released a year later. The film features a cop who bends the rules to crack a case and was made in the wake of the hugely successful Clint Eastwood film, Dirty Harry (1971). That film also focused on a detective willing to play dirty, as this poster’s tagline shouts.

Bronson plays detective Lou Torrey who has recently been transferred to a Los Angeles beat. After the murder of a former hitman, he uncovers a plot involving the local mafia. The don, Al Vescari (Martin Balsam) has instigated a number of murders in revenge for killings that took place in 1931. This spree saw Sicilian capos executed across the US (a real-life crime dubbed the Night of the Sicilian Vespers). Vescari has decided to use Vietnam vets to carry out the killings and Torrey must race against time to stop the hitmen before the revenge plot is complete.

The stark imagery on this quad also featured on the US one sheet (see here) and the title block and main tagline have also been recycled by the British designer.